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Rachel trained at the Italia Conti Academy of Theatre Arts where she graduated in Professional Musical Theatre and recieved awards for best actress.She later went on to work with queen choreographer, Arlene Philips, as a principal dancer with the unique performances of The Give Back Project and played a principal role in a new writers play entitled The Perfect Man for Me. She went on to make her first short film with Ocean Storm productions entitled 'The Pledge'. After leaving Paris where she was promoted to dance captain in shows and parades she discovered her passion to teach and help benefit others in performing arts. She has since taught dance and drama all over the country with Jago performers in Worcester, Abbey School of Dance in Coventry and Lemon Jelly Arts in Leicester and London. Rachel now wishes to further her teaching skills to one day achieve her ambitions of becoming a successful member of a stage school faculty or perhaps even a principal. She is undertaking a Work Based Learning course to develop these skills and achieve the needed qualifications to conquer her dreams.

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Thursday 15 April 2010

Learning Diary Entry 4.

I now feel comfortable with my research knowledge and by reading and analysing others literature and theories I have discovered how to construct my research. I have also brainstormed what must be considered when deciding on my project proposal.
After spending much time brain storming Research questions I have decided on my Project Proposal Question:

• What motivates an individual to strive for a career in dance or drama.


I decided to research further in to the field that my project question would be based and perhaps discover techniques, instruments and general performing information that I may not have considered. Whilst doing so I came across a company called ResCen. This is abbreviated from the full term as the centre of research into creation in the performing arts.
From this site I learned some key research tools which I think may be useful towards my Project.
Knowledge generation
A key part of ResCen’s work is to generate and analyse knowledge through reflection on process, as well as one-to-one, group discussions and presentations by ResCen artists, invited guests and audience members.
A number of events have been presented in which artists discuss and examine particular processes that form and influence their work. These include:

• Nightwalking conference/symposium a three-day, artist-led event that included podium discussions, presentations, installations and performances in and around the South Bank Centre and Greenwich Dance Agency.

• an on-going series of public seminars and workshops in which the ResCen artists discuss particular issues and themes within their creative process including: intuition, the role of play, the artist as catalyst, motivation, making space. Guest speakers from other disciplines have contributed to many of these discussions.

In addition to our extensive public conference, seminar and workshop series, ResCen has begun to develop seminars for delegates from key performing arts institutions, research centres and organisations, as well as funders and policy makers, to discuss past, current and future policy issues that affect artists' practice.

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